Theater

2016-18         Pan Asian Repertory Theatre, NYC

            “No No Boy,” by Ken Narasaki, Washington DC Tour,Theatre Row,NYC

2014            Pan Asian Repertory Theatre, NYC

            “Fishing for Wives,” by Ed Sakamoto, Theatre Row

            “No No Boy,” by Ken Narasaki, Theatre Row

2011            Pan Asian Repertory Theatre, NYC

            “New Works,” by various, Off Off Broadway

2009            Pan Asian Repertory Theatre, NYC

            “The Secret of Osono,” by Elsa Okon Rael, Off Broadway

2007            Pan Asian Repertory Theatre, NYC

           “Carry The Tiger To The Mountain,” by Cherylene Lee, Off Broadway, re-staging

2005           Virginia Commonwealth University, Richmond VA

           “Metamorphoses,” by Mary Zimmerman

2004           Pan Asian Repertory Theatre, NYC

          “Mom, Dad, I’m Living With a White Girl,” by Marty Chan

                    La Mama ETC., NYC

            “ArchipelaGo!” by SLANT Performance Group

2003          Pan Asian Repertory Theatre, NYC

            “The Legacy Codes,” by Cherylene Lee, Off-Broadway production

                  Abingdon Theatre Arts Complex, NYC

            “The Winner, A Brooklyn Fable,” book by Ines Basso Glick

            and Annmarie Fabricatore; music and lyrics by Stanley Glick,

            staged reading

2002         La Mama Annex, NYC

            “Wazu,” by SLANT Performance Group

                New York State Theatre Institute, Troy, NY

            “Gina and the Prince of Mintz,” book and lyrics by Charles Kondek,

             music by Steve Liebman.

                Pan Asian Repertory Theatre, NY

            “Forbidden City Blues,” by Alexander Woo, Off-Broadway production

               NYSF/Public Theatre, NY

            “The Rice Cooker Chronicles,” by SLANT Performance Group, workshop presentation.

2001        Virginia Stage Company, Norfolk, VA

            “A Christmas Carol,” adapted by David McCann

                Hangar Theatre, Ithaca, NY

           “The Legacy Codes,” by Cherylene Lee

2000        Pan Asian Repertory Theatre, NY

           “The Poet of Columbus Avenue”, by Dennis Escobedo, Off-Broadway production

                LaMama e.t.c., NY

           “High,” by SLANT Performance Group

               Pan Asian Repertory Theatre, NY

           “The Teahouse of the August Moon,” by John Patrick, Off-Broadway production

1999       New York University, NY

            “The Street of the Sun,” by Jose Rivera

1998       Pan Asian Repertory Theatre, NY

           “Carry the Tiger to the Mountain,” by Cherylene Lee, Off-Broadway production

           “Aloha Las Vegas,” by Ed Sakamoto, Off-Broadway production

               New York State Theatre Institute,  Troy, N.Y.

            “Dragonwings,” by Laurence Yep

1997        New York State Theatre Institute,  Troy, N.Y.

            “The Canterville Ghost,” by John Vreeke, adapted from Oscar Wilde

                Fulton Opera House, Lancaster, PA

             “Dragonwings,” by Laurence Yep

1996       Pan Asian Repertory Theatre,  N.Y.

             “Friends,” by Kobo Abe, Off-Broadway production

1995        New York University, N.Y.

              “The Sound of a Voice,” by David Henry Hwang

                 Pan Asian Repertory Theatre, N.Y.

              “Private Lives,” by Noel Coward, Off-Broadway production

                 New York State Theatre Institute, Troy, N.Y.

              “Treasure Island,” by Ara Watson

                 Fulton Theatre Co., Lancaster, PA

             “A..My Name is Still Alice,” by Joan Micklin Silver and Julianne Boyd

1994         Fulton Theatre Co., Lancaster, PA

             “The Nutcracker,” by Barry Kornhauser

                 Pan Asian Repertory Theatre, N.Y.

              “Arthur and Leila,” by Cherylene Lee, Off-Broadway

1993        Honolulu Theatre for Youth, Honolulu, HI

              “Duke Kahanamoku vs. The Surfnappers,” by Eric Overmyer

                 New York State Theatre Institute, Troy, N.Y.

               “Heidi,” adapted by Thomas Ohlson

                 Young Playwrights  Festival, Playwrights Horizons, N.Y.

1992        Young Playwrights Festival,  Playwrights Horizons, N.Y.

               “Crocodile Tears”

                 Ensemble Studio Theatre,  N.Y.

               “Ripples in the Pond,” by John Shirota

                 Fulton Opera House, Lancaster, PA

               “Miss Evers’ Boys,” by David Feldshuh

1991        Honolulu Theatre for Youth, HI

               “The Dance and the Railroad,” by David Henry Hwang

                 Actors Theatre of Louisville, KY

               “The Gift of the Magi,”  by Peter Ekstrom

                The National Asian-American Theatre Co.,  N.Y.

               “The Stronger,” by A.Strindberg

1990       Pan Asian Repertory Theatre, Inc.,  N.Y.

              “Lucky Come Hawaii,” by Jon Shirota, Kennedy Center Grant; Off-Broadway

               The Studio Theatre,  Washington, D.C.

              “In Perpetuity Throughout the Universe,” by Eric Overmyer

               Loaves and Fish Theatre Co.,  Jersey City,  N.J.

              “Triple Play,” by Joseph Hart

               Stage One/Louisville Children’s Theatre,  KY

              “Three Japanese Folk Tales,” Main Stage production

1989       Loaves and Fish Theatre Co.,  Jersey City,  N.J.

              “Home,” by Samm-Art Williams

1988        Stage One/Louisville Children’s Theatre, KY

              “The Hobbit,” by Moses Goldberg, Main Stage production

                 Pan Asian Repertory Theatre, Inc., N.Y.

              “Madame de Sade,” by Yukio Mishima, trans.: Donald Keene; Off-Broadway

1987-88  NEA/TCG Directing Fellowship

               “Hedda Gabler,” by H.Ibsen; assisting Mark Lamos, dir., Hartford Stage Co., CT

               “Hamlet,” Shakespeare, assisting Mark Lamos, Hartford Stage Co.

               “School for Wives,” by Moliere, assisting Mark Lamos, dir., La Jolla Playhouse, CA

1986        Non-Traditional Casting Symposium, N.Y.

               “The Importance of Being Earnest,” a scene

                Pan Asian Repertory Theatre, Inc., N.Y.

              Off-Broadway productions: Playhouse 46 at St. Clement’s

              “The Impostor,” by She Yexin, trans: Daniel Kane

              “The Man Who Turned Into a Stick,” by Kobo Abe, trans: Donald Keene

              “Yellow is My Favorite Color,” by Ed Sakamoto, tour Wash.D.C.

1985        Fulton Opera House, Lancaster, PA

              “Ama and the White Crane,” by Maueen A.O’Toole

                 Pan Asian Repertory Theatre, Inc., N.Y.

              “The Cherry Orchard,” Chekhov, workshop, staged reading

1984        Pan Asian Repertory Theatre, Inc., N.Y.

              “The Face Box,” by Wakako Yamauchi, Off-Off Broadway production:Actor Outlet Theater II

1982        Pan Asian Repertory Theatre, Inc., N.Y.

              “Behind Enemy Lines,” by Rosanna Alfaro, Off-Off Broadway

                 Honolulu Theatre for Youth, HI

              “Chicken Skin,” by Ron Nakahara, original ghost stories; Main stage & Touring production

1981        Pan Asian Repertory Theatre, Inc., N.Y.

              “Yellow is My Favorite Color,” by Ed Sakamoto; Off-Off Broadway, Soho Repertory Theater

1980        Repertory Theatre of St. Louis, MO

              “Missouri Folk Tales”

              “Story Theater-Children’s Show”

                 Crossroads Theatre Company, New Brunswick, N.J.

              Company devised parody, “For Black Men Who Have Considered Homicide When the

               Women Were Too Much.”

1979        Alliance Theatre Co., Atlanta GA

               “Othello,” assisting Wally Chappell, dir.

Opera

1986,   Staged reading of “Tao Yuan,” an experimental opera/music theater play, with music and

Lyrics by Fu Yuan Sung, with book/libretto by Fu Yuan Sung and Ron Nakahara

Cabaret

1988       Don’t Tell Mama, N.Y.

             “Duanne Did Hollywood,” by Valerie Charles; one-woman show

1985       Don’t Tell Mama, N.Y. and the Duplex, N.Y.

             “Christmas With Duanne, Luanne, and Bootsie,” by Valerie Charles; one-woman show

             “Duanne’s Nightclub Act,” by Valerie Charles; one-woman show

1984        Folk City, N.Y.

              “Duanne’s Christmas Party,” by Valerie Charles; one-woman show

Affiliations  

Member SSDC  

Artistic Associate, Pan Asian Repertory Theatre Inc., N.Y.

Board Member, ASSITEJ USA- International Association of Theater for Children and Young People 1991-97

Professional Panels and Awards

NEA-TCG Director Fellowship Award, 1987

Non-Traditional Casting Symposium Speaker, N.Y.U., N.Y. 1990

NEA panelist, Advancement Peer Panel-Theater, 1990 

NEA-TCG Director Fellow Selection panelist, 1990

NEA panelist, Advancement Phase I Review Committee, 1991

NEA panelist, theater and musical theater, 1997